Friday, May 4, 2012

 


will be designing all of the personal flowers for Madi & Rob's wedding!

A stunning Bridal bouquet, beautiful Bridesmaid bouquets, elegant boutonnieres await!


Will we see hydrangea?  roses?  perhaps some orchids?
Whatever the floral selections, we are certain to be seeing dazzling designs that will compliment our stylish Bridal Party! 


Thank you Priscilla
we are so excited to be working with you!

Thursday, March 29, 2012

Confessions of a Renegade Conference Junkie


By: Melissa M. Slawsky, Ph.D., NCTM

Conferences can be one of the greatest untapped resources for the personal and professional development in the music world, especially for students. Conferences and workshops allow you to network and share ideas with other music colleagues on a grander scale—combining educational presentations, pedagogical sessions, presentations on business practices for independent music professionals, and master classes with the finest musicians and teachers in the world.

Unfortunately, I was ‘bit by the conference bug’ a little late in my graduate studies (when I could actually afford them). During the last two years of my doctoral studies, I had the pleasure of presenting research at the 2010 GP3 Group Piano and Piano Pedagogy Conference in Austin, Texas; 2011 Florida Music Educators Association Clinic-Conference in Tampa, FL; and 2011 National Conference Keyboard Pedagogy in Lombard, Illinois.

I cannot believe how much I learned in such a short period of time, how many amazing people I have met, and how much my passion for music and teaching has been fueled by attending these events. If you want to cram a degree’s worth of learning into a short amount of time and ‘rub elbows’ with some truly amazing people, I cannot recommend music education conferences and workshops enough.

Fast forward to 2012—I am 6 months into my post-Ph.D. slump… no longer eligible for the student discount (usually 25% or less than the non-student member rate). Although my conference budget had already been exhausted in the previous year, I could not stay away from the Music Teachers National Association (MTNA) conference in New York City this past week. Headliners included a master class by Menahem Pressler (pianist and founder of the famous Beaux Arts Trio), a session on teaching practice techniques to students by legendary piano pedagogue, Martha Hilley, and exhibitor showcases from many of the publishers I use in my piano studio on a daily basis. Although I did not originally plan (and budget) to go, I simply could not stay away.

I decided to make an impromptu visit yesterday (3/27/12) with the intent of paying for one-day registration fee (at $155… OUCH!). Because I arrived so late, I decided instead to ask for a complimentary pass to the exhibition hall. This is where all of the vendors set up, give one-on-one presentations of their products, and give out tons of freebies (especially on the last day when many vendors don’t want to have to cart or ship everything back to their home town). I wasn’t sure if I would learn as much as I had at previous conferences, but I was pleasantly surprised by my experience, and it was well worth the trip!

My personal highlight reel-

  1. I had heard about Piano Marvel (www.pianomarvel.com), an interactive piano learning and assessment program that is essentially Guitar Hero for the piano, at a previous conference, but I had never got a chance to try it in person. I finally got to sit down with the inventor and founder and try it out for myself! Not only that, but I scored a great deal on a digital piano and bundle of books for my piano studio because it would have cost the owners so much to ship it back to their home state. 
  1. In the piano teaching world, there are many ‘rock stars’ that grace the pages of piano teaching materials. It is such a pleasure to be able to walk up to my favorite composers and authors, such as Randall Faber and Dennis Alexander, introduce myself, and pander for autographs and pictures. Where else can you ask someone to recommend music and materials for your studio, what inspired their works, and how their compositional process works?
  1. Although I went with a personal shopping list in hand for sheet music to buy for my students, conferences are a great place to discover new music. I discovered a wealth of beautiful piano music written by a group of phenomenal composers hailing from Canada at the Red Leaf Pianoworks booth (http://www.redleafpianoworks.com). Not only did I get to talk to some of these brilliant women, I got a one-on-one consultation and performance of the recommended materials. I cannot wait to introduce my students to this beautiful music.
  1. Although I am usually not partial to the renowned Steinway brand of pianos, I had the opportunity to see a gorgeous ornate piano in the process of being hand-carved by an amazing artisan. Seeing this unfinished work of art truly made me appreciate the painstaking craftsmanship that goes into these instruments. I regretted the fact that I did not allot enough time to take a Steinway Factory tour (www.steinway.com). 
  1. After the conference, it is so much fun to show my students all of the new stuff I learned and found, including the freebies! In celebration of Easter, I was able to give my piano students little packs of M&Ms and music dictation workbooks courtesy of the Carnegie Hall Royal Conservatory Achievement Program (http://www.theachievementprogram.org). I had tons of individual pieces of sheet music given by some of the various publishers— Alfred Music Publishers (www.alfred.com), Hal Leonard Corporation (www.halleonard.com), Faber Piano Adventures (www.pianoadventures.com), and the Neil A. Kjos Music Company (www.kjos.com).
So, listen up all of you music students, musicians, and music teachers— The next time you hear about a conference, workshop, training session, or summer music program in your area, do not hesitate to take advantage of any and all of these opportunities. You will not be disappointed.

Saturday, February 11, 2012

The Importance of Supporting Classical Music Education Worldwide

The Classical Music
Education of a Generation
By Tina Serota, Outreach Director, Philadelphia International Music Festival

In today’s world, people consider everything from Gregorian Chants, Beethoven and Brahms, through Ives and Gershwin  “classical music.” So how shall we go about reestablishing the relevance of traditional classical music? And just how are we suppose to rebuild concert audiences with a generation that lives and thinks in the moment, considering the true classics to be something better fitted to our grandparents’ tastes? Education!

We do need to take a cue from our past in order to build a robust future. As a society, we need to make classical music a priority in our homes and in our lives. It needs to start at a very young age, as early exposure is not only vital to the continuation of the arts but also the growing of a healthy, well rounded human being. Classical music not only nurtures our soul but grows our mind in ways that have been substantiated by myriad of studies over recent years. Exposing the very young to classical music has been documented to help develop language skills, reasoning, and spatial intelligence. As we humans grow and are further immersed into the classical music world through private lessons, school orchestras, youth orchestras, concert attendance, and the like, we learn self discipline, problem solving skills, a written, spoken, and deeply felt “second language”, collaboration, cooperation, better motor skills, and creativity. We have a means of self expression which fosters self esteem - and we all know how important that is to a life well lived! As we reach adulthood, these skills carry over to enhance all other areas of our professional and personal world. So maybe our parents and grandparents knew something after all! Who among us would not want to see these skills instilled in future generations?

Classical music expresses the deepest thoughts of our civilization. Through their music, composers paint a picture of the society and times in which they lived. You can experience the greatness and achievements of another generation through its music. If we don’t pass on this incredible thread of creative living history that binds us - one generation to the other - then we diminish all of the humanity that came before us and certainly leave a gaping hole for the future. We must always remember how important classical music is in a world that constantly feels like it stands on the precipice of a frighteningly dark chasm. Music continues to bridge the great divide between cultures and countries. It can bring hope for peace in the darkest of times. 

So, how do we groom and nurture another generation of classical music lovers, soloists, professional orchestra members, music teachers, public, private, and youth orchestra board members, audiences, and arts advocates through education in a time of budget cuts and instant gratification? By example! We must not leave the job of educating our children or the public solely to someone else. If you are a musician, share your gift (as I know you are already doing)! Teach your art! Bring students of different cultures, classes, and countries together through the beauty and universality of the music. Form community partnerships to weave classical music into the threads of everyday life. If you have limited resources, you can still be a teacher by the example you set. So support other programs that bring classical music to your community. That includes everything from youth orchestras, private music teachers, classical music festivals, local and national news organizations that review student performances and educational programs, colleges and conservatories. If you are not a musician, get involved! Help out in whatever capacity you can. Take yourself and your children to neighborhood and professional classical music concerts. Play classical music on your i-pod and computer. Clearly, not everyone has the same gifts, but we can each get involved using our individual talents in whatever ways they are relevant. Also, professional musicians and orchestras will have to become creative and imaginative in their marketing strategies to attract today’s much faster paced, younger crowd. Although it’s hard for me to imagine professional orchestras on Twitter, tweet they must! 

There is ample hope for the survival of classical music for generations to come. The shear power of the music itself will ensure a life that is not easily extinguished. But our goal is not to ensure that classical music survives, but that it thrives well into the future!

Sunday, January 8, 2012

Music Mansion in Miami



Below, please find the full story that appeared in a recent publication of The Miami Herald highlighting our intense solo performance program "Music Mansion," held each winter in Miami, Florida. The almost full-page article was complete with several wonderful photos, including the one above of a participant practicing in the mansion's

Article:

MUSIC
South Florida mansion strikes the right chord with young classical musicians

BY ELINOR J. BRECHER

At an Italianate villa near Dadeland Mall, there’s a fiddler on the roof.
There’s also one in the master-bathroom shower and another in the dining room.
There are cellists in the laundry room, in closets, on the pool deck. Wherever there’s a vacant nook in, or atop, a nine-bedroom estate called Casa Florence, there’s a kid with a stringed instrument. Melodies blend and clash, as 21 string players work at their pieces.

It’s mid-afternoon Thursday, and the students attending the Philadelphia International Music Festival’s classical music “boot camp’’ are wrapping up five days of nonstop practice. They are as young as 10, as old as 18, from places like Tucson and Tempe, Ariz., Bellingham, Wash., Bethlehem, Penn., and Grosse Point, Mich. Two came from Broward County, one from Palm Beach Gardens. Some grew up in music, the children of concert professionals and teachers. Others simply showed talent early, and have non-musician parents who recognized it.

The camp, called Music in the Mansion, is run by Sandy and Richard Marcucci, a Philadelphia couple who used to run basketball camps but switched to classical music when their older daughter, now 24, took up the violin as a child. During the summer, they run 17-day intensive programs at Bryn Mawr College, featuring a faculty assembled from the famed Philadelphia Orchestra.

This is their fourth year in South Florida for the shorter winter version, which includes faculty from the University of Miami’s Frost School of Music, and former campers as practice coaches, including Madison Marcucci, the recent Juilliard graduate who spurred her parents’ career change.

The program caters to intermediate and advanced string players who might have heavy metal and hip-hop on their iPods but are serious students of music more commonly associated with their grandparents’ generation: Brahms, Bach and Bériot. That would be Charles Auguste de Bériot, the 19th Century French composer. Joyce Liu, a precocious, 10-year-old fifth-grader from Oak Hill, Va., planned to play Bériot’s “Violin Concerto No. 9 in A Minor, Opus 104” for an audience of about 40 at a recital Thursday evening, during which each student will solo.

“I started when I was 5,’’ said Joyce, who has graduated to a half-size violin, and isn’t sure whether she’ll turn professional. “I have no further knowledge of any career plans,’’ she said. Although she’s the youngest, Joyce said she felt “comfortable’’ among the camp of mostly teenagers.“I’ve improved so much,’’ she said.

The students, who pay $1,600 for all expenses except travel, practice five hours a day, with short breaks to cannonball into the heated pool, and for meals prepared by a professional chef. They’re stashed in every bedroom and on cots in giant walk-in closets, and have discovered great acoustics in the odd spaces, like a below-stairs powder room with a bidet.

Sandy Marcucci, 51, found Casa Florence on the Internet. The 11,000-square-foot, white marble-lined party venue is owned by builder Renzo Maietto, who initially thought he was dealing with a crazy person when Marcucci asked if she could install 21 young musicians, parental chaperones and a rented piano there for five nights and six days. But once she explained her mission, Maietto, who grew up in Milan “with Vivaldi in my house,’’ was eager. “We should cultivate this music’’ among teens, said Maietto, 65, of Coconut Grove.

Skye Kinlaw, a 16-year-old Baltimore-area high school junior, was the fiddler on the roof, where she said she felt “so much freedom — on top of the world.’’
 She was 3 when her father, a pharmacist, took her to a music store and placed a “teeny, tiny’’ violin in her hands. Now she studies at the Peabody Institute at Johns Hopkins University. Swapping her T-shirt for an emerald green evening gown, she performed Pablo de Sarasate’s “Malaguena” for the recital. Although most of the kids were strangers until days ago, Skye said the bonding was “instant.’’

“The camp opened a completely different world to me,’’ said Jason Karlyn, 22, now a practice coach. “There are some very gifted people here.’’
Read more here: http://www.miamiherald.com/2011/12/22/2558432/south-florida-mansion-strikes.html#storylink=cpy

Wednesday, December 28, 2011

More of Miami's "Music Mansion" . . . . .

As promised, below are photos of our one-of-a-kind solo performance program: "Music Mansion," held each year in wonderful Miami, Florida, featuring 22 dedicated young musicians who practice daily for four-five hours; work with outstanding teachers including: Udi Bar-David of The Philadelpia Orchestra, Glenn Basham of Miami's Frost School of Music ,and Hui Fang Chen of Lynn Univeristy in private lessons and master classes; work out daily with PIMF faculty accompanists; and perform in our final grand finale house concert at the end of the six-day "boot camp" for violin and cello.





More Music Mansion in Miami

More pictures from the Music Mansion

Music Mansion Miami
















Music Mansion in Miami

As promised here are some of the pictures form the Music Mansion in Miami.

Tuesday, December 27, 2011

Starting Tomorrow...

Beginning tomorrow we will be posting a day-by-day photo journal of last week's Music in the Mansion - featured Friday in the Miami Herald! Please stay tuned for updates about this incredible program.

Monday, December 5, 2011

P.I.M.F. Updates

Lunch and a Concert
The Philadelphia Orchestra is offering friends and family of the Philadelphia International Music Festival a special discount to the January 6 performance of Beethoven's Fifth featuring Choong-Jin Chang on Viola.


Tickets can be purchased for as little as $15 and are available on-line only using the promo code: "BEETHOVEN5"

Just click here and enter the promotional code: "BEETHOVEN5." 

But before the concert,

Join us at Buca di Beppo for lunch with PIMF directors Kimberly Fisher and Sandy Marcucci


To RSVP for lunch ($15 per person) call: Tina Serota (856) 795-2383
(Don't forget to purchase discounted Orchestra tickets above!)

Miami Festival - Music in the Mansion
Our six-day solo performance studies program in Miami is officially full,  but We will be posting photos, video, and updates in real time so make sure to visit our Facebook page here for updates and photos.




Christmas and Holiday Concert 
When: Saturday, December 10, at 7:00 p.m.
Where: Cunningham Piano Company in Philadelphia.

Performers include PIMF Alumni:
Chris Barthold                   Tessie Katz
Laura Barthold                   Michal Marcucci
Karl Eckert                         Max Song
Greg Gennaro                    Maria Turner 
Amanda Katz                     Sara Yamada

Special Guest: Madison Marcucci

Complimentary refreshments will be served.

Audience space is limited, so please RSVP soon if you plan to attend!
For additional information, please contact:

Tina Serota at: tina.serota@pimf.org
Philadelphia International Music Festival
856-875-6816 (office)
856-795-2383 (cell)
Stay tuned for photos and updates as we will be posting them here and on our Facebook fan page here.

Remember, our $200 discount ends December 15 so register now to take advantage before time runs out! We thank you for your continued support of both the Philadelphia International Music Festival and The Philadelphia Orchestra!